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A provocative and prolific painter, Odd Nerdrum employs old-world techniques and an ancient Greek palette to craft paintings that follow in the tradition of the masters Rembrandt, Caravaggio and Titian. Ever since his beginnings as a painter in the early sixties, Nerdrum has been a provocative voice among his peers, often representing sociopolitical struggle and the plight of the oppressed. His depictions of the human figure glow with warmth and dignity, and his timeless themes resonate with his viewers regardless of culture and social standing. Just as the figures in Nerdrum’s paintings struggle through barren, often post-apocalyptic landscapes, his vital and poignant works stand out amongst the stark abstractions of the world of modern art. He remains a provocateur in his native Norway, a challenging voice in contemporary society, and one of the most exciting creators of our time. Throughout the last 30 years of his painting, a recurring archetype emerges. He is the Refugee--an alien to his own time and place, an outcast ostracized by the deciders of politics, fashion and culture and a nomad searching to transcend the temporal and find refuge in the eternal. This new collection of paintings, carefully selected from the best of his body of work, is devoted to the story of the Refugee, as it has unfolded over time, in 172 brilliantly reproduced paintings, accompanied by 83 details. The book features an exposed binding, so that it can be laid flat for close inspection. Gregory David Roberts, author of the acclaimed novel Shantaram, lends a thoughtful introduction to the book, paying tribute to the enduring themes of Nerdrum’s works.
- Sales Rank: #976114 in Books
- Published on: 2013-09-30
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 1.30" w x 9.70" l, .0 pounds
- Binding: Paperback
- 456 pages
Most helpful customer reviews
9 of 9 people found the following review helpful.
Exquisite
By notes from
I received my book from amazon.ca . The detail and sharpness of the images is amazing. Many repeats from previous books but much better quality photos as well as recent works. For any Odd Nerdrum fan this book is a feast . Many of the paintings have detailed closeups . The brushstrokes are so clear you can touch them. The photos are large , no wasted space with white page framing. The binding is such you can lay the book open and study each image without braking the seam. Beautifully put together and photographed. I can find no fault.
7 of 7 people found the following review helpful.
A Visionary Painter-Poet for the Coming Dark-Age
By EisNinE
An anachronistic figurative painter who embraced the Old Master approach to oils on canvas in an era when Conceptual Art and Abstract Expressionism ruled the galleries and museums. Odd Nerdrum is one of those artists in the cultural wasteland that was painting in the last three decades of the millennium to keep alive a passion for tradition and craftsmanship. Critics derided his work as 'Kitsch', a word he made his own in his other roles as art critic, teacher, and prolific philosopher of aesthetics. This book, 'Crime and Refuge', is a brilliant selection of over 200 paintings that fall under the thematic jurisdiction of the title. Nerdrum's world is a barren place in perpetual twilight. It evokes both a plague-ravaged dark-age Northern Europe - its people clad in leather caps and jerkins, wrapped in rough animal skins; and a post-apocalyptic nightmare of tomorrow - irradiated survivors navigating the poisoned soil, the only hints of the vanished civilization the rifles slung over the occasional hunters' shoulder. His style resembles most the Symbolists of the second half of the 19th century. G. F. Watts, the foremost British Symbolist among the loosely defined group called the Pre-Raphaelites, and his peers, Edward Burne-Jones and J.W.Waterhouse, are clearly strong influences, as are the giants of Swiss Symbolism: Arnold Bocklin, Ferdinand Hodler, & Giovanni Segantini. The book itself is beautifully produced: about 10" wide by 11" tall, a 450 page brick of thick, black, glossy paper stock. After a couple of concise and interesting essays, the book is all art, flawlessly reproduced. It's most controversial feature is it's exposed binding; this was done to be able to lay the book flat when viewing two-page spreads. I like it, more for the novelty than anything else. As long as it holds together, I'm happy. Usually I like a strong spine and stronger binding; other monographs, such as the Glenn Brown book released by Tate, and Akira Yamaguchi: The Big Picture, published by Seigensha, use 'gatefolds' for viewing long, landscape format works in a regular format monograph. Not everyone will like the exposed spine, so caveat emptor. All in all, however, a remarkable book, well worth the $53.00 pricetag.
2 of 2 people found the following review helpful.
If you like Odd, you will like this too.
By B Scott Methvin
Odd, as in the binding being done in such a way that flat viewing is possible with this book. Odd also, with Nerdrum's greatest hits and some I have not seen before. I like the way this book is printed and designed to be used.
Because I am such a fan of the technique of this painter, he could paint a brick and I would enjoy it. Wait, he did.
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